Adventures in Drawing – A New Beginning

Previously on “Adventures in Drawing,” I discussed several matters of art. I specifically placed emphasis on the three valuable lessons of learning to actively see thingsthe value of repetition, and drawing what one sees, not what one knows.

The second half of the drawing course followed the application of said rules with a series of projects. I had the wonderful opportunity to test my skills with various mediums from charcoal, graphite, and conté sticks. Along for the ride came an assortment of healthy drawing techniques I had learned earlier involving the use of guidelines, the ability to delineate depth and active perception in objects, as well as blind contour drawing etc. All in all, I thoroughly enjoyed the opportunity to test my skills with the various media (Figures 1-2).

Figure 1. Man’s best friend (using charcoal, and graphite). 


Having completed the course, I can certainly say that my knowledge, and library of resources pertaining to drawing has grown exponentially. If there is a takeaway message from my experiences so far, it would be the following: simply put, anyone can be an artist. All you need is an HB pencil, a sketchbook, and a little bit of incentive. Most importantly, practice makes perfect.

In my opinion, I view drawing, and art, in general, as a personal interpretation of one’s environment, and imagination; a realm of infinite possibilities. The uniqueness factor of one’s works is dictated not through the judgment of external critics but rather one’s own individuality. Thus, you have nothing to fear in the criticism of your own doodles. We are all artists in our own measure. As Mason Cooley put it, “Art begins with imitation, and ends in innovation.”

Figure 2. Unfinished swimmer (using conté sticks)

With every passing day, I get closer to achieving the same with my artwork. Once again, I’ve learned that practice makes perfect. (On a side note, it also helps to have an encouraging partner, especially one who goes out of their way to buy you a legit Japanese manga kit but I digress.) If I could briefly summarize the steps that I have taken so far in my journey in drawing, and that I wish to share to my fellow aspiring artists, they would be:

(1) Start with doodles, and doodle frequently. Sketch whatever you wish to sketch. Freedom of imagination, and action is important in drawing.

(2) Get a few guide books on the side, or even better, just parse through the overwhelming history of artists, and their works that we can readily find information about on the WWW (world-wide-web).

(3) Trying a short, and supplementary course is highly beneficial too. Learning drawing also involves the communication of ideas, and techniques. (Check out the arts center in your city. If you don’t have one, Udemy is a wonderful online resource for awesome, and cheap courses. And if that doesn’t work, then it’s even more simple, learn from nature, and become your own artist. There’s no limit to human creativity, and imagination.)

(4) Aggregate the lessons you learn in infinitesimal steps, and integrate them toward a full learning experience.

Moving on from here, I intend to eagerly pursue my dream of becoming a mangaka in the future. For those among my readers who are avid comic fans, and are particularly interested in making their own comics, I highly suggest the constructive anatomy, and figure drawing books written by Burne Hogarth, and George Bridgman (shown below) to get you started.

But after all is said, and done, remember to relax, and just have fun with it!